Vocal harmony bands were all the range in the Fifties just before the onset of rock and roll. For more information, visit www.TheatreAtTheCenter.com. Racky trained on the Musical Theatre course at the Arts Educational School in London. Finally, on 9th February 1964, they landed their first big gig – the Airport Hilton Cocktail bar. These groups got together to sing and rehearse in their basements. He has also played the role of Figaro in La Nozze de Figaro, Jesus in John Stainer’s oratorio The Crucifixion and sung a solo recital at the South Bank’s Purcell Room. However, that is hardly surprising – Forever Plaid is perfect for an intimate space such as Upstairs at the Gatehouse, but it would be lost if staged anywhere considerably bigger. Forever Plaid were clean cut and clean-living American lads, closer harmonies and close cropped hair were their trademarks and they died forgotten. Countless musical numbers reminiscent of the fifties are brought to life by an extremely talented foursome, revealing great talent for both singing and acting. It’s the greatest comeback since Lazarus, remarked one of their tuxedoed number.

As their sound developed , they sang at family gatherings, fund raisers and eventually graduated to supermarket openings and local hops. Just sweet harmony, innocent fun and songs that make you want to slow dance all night and be forever 16. Sunday: 2 Hours Prior to any Event, Sitnik Theatre : Lackland Performing Arts Center. Chris trained at The Academy of Live and Recorded Arts on a three year Musical Theatre course. www.mtishows.com. The show, which boasts only a very loose plot, in an affectionate homage filled with doo-wop songs such as Three Coins in a fountain, Catch A Falling Star Sixteen Tons and Chain Gang. But there was a flipside to this era – the side of harmony, innocence and the sincerity of dreams.

When Smudge (played by Christopher Ratliff) explains, for example, that they never had the chance to perform “Crazy ‘Bout Ya Baby” at a real show, they perform it using the equipment they practiced with in the stock room of his family’s plumbing supply company: And for those who appreciate sheer eloquence, toward the end there was an intelligent and brilliantly executed monologue delivered by Frankie. Racky also choreographed Ovation’s production of Forever Plaid, Upstairs at the Gatehouse in Highgate. The best musical piece in London over the holidays. When American families gathered in front of the TV to watch their favorite variety shows, like Ed Sullivan or the Perry Como Show. The musical’s presentation allows for appreciation and understanding of what Fifties vocal harmony music represented, more than just a tribute show featuring hits like Catch a Falling Star Three Coins in a Fountain and Shangri-La, Forever Plaid excel because they throw in innuendos which are non-controversial and refined. Discovering that they shared an affection for music and entertaining, they got together and dreamed of becoming like their idols – The Four Aces, The Four Freshmen, The Hi-Lo’s and The Crew Cuts. They all met in high school around 1956.

Future plans: two handers with Barb Jungr and Helen Lederer, The Laughter Makers, From Stage to Screen and Tim’s cabaret show A Little Romance in the Dark. He has directed and produced numerous shows including many for cruise lines Cunard and P & O. As a Musical Director, credits include Sleeping Beauty at the Prince Regent Theatre, Farnborough, Sherlock Holmes – The Musical at the Wyvern Centre, Sittingbourne, When Movies were Movies National Tour and Playing the Halls National Tour. Written and Originally Directed and Choreographed by Stuart Ross, Musical Continuity Supervision and Arrangements by. until recently he was Tim McArthur’s Musical Director including a production for West End Cares at The Talk of London. Add a touch of plaid and you have a sure-fire hit. On this day our story begins.”. The show has been a surefire hit both in London’s West End and on New York’s Broadway.

The story is silly, simple and entertaining – in February 1964 the members of a promising close-harmony group are on their way to their first big gig when they are killed in a car crash. Andrew Emerson not only produces some beautiful vocals for Cry, but he also has a knack for comedy, as does Tim McArthur, who can play the clown as well as offer a poignant rendition of Catch a Falling Star. This followed more than two years in the West End hits “Blood Brothers” and “The Patsy Cline Story” and the Wimbledon revival of “Pump, Boys and Dinettes”. Each of the performers has an ingratiating way of harmonizing with the group while sending out megawatts of individual charm. This deliciously fun revue is chock-full of classic barbershop quartet harmonies and pitch-perfect melodies! Inspired by the success of their favourite recording stars, they made plans to climb that spiral staircase to fame and fortune. Forever Plaid comes to Trinity theatre and Arts Centre, Tunbridge Wells on Wednesday and anyone who loves the music of the ‘50s and ‘60s should put this date in their diary.

Convenience Fee: $1.00 per ticket fee applied for all on-line ticket sales.

MUNSTER, Ind. Michael is also a vocal coach and regularly accompanies the renowned singing teacher Ian Adam, most recently for his Scandinavian Masterclasses. Other credits include many theatre roles, Radio 2’s A Chorus Line and Kiss Me Kate. In essence, Forever Plaid is a 1950s concert, but the story woven through the numbers adds a layer of interest and humor. The staging was kept suitably simple with a New York skyline complete with twinkling lights and an occasional theatre curtain. Lansing Public Library hosts idea sessions, Village Board meeting highlights – 5/15/18, Ford Hangar freed to serve as event venue, museum, The Center for Visual and Performing Arts launches ‘Dinner & Movies’ with The Birds, Lansing-raised writer to publish ‘intimate look’ at activist Jesse Jackson, Select Thursday and Sunday night performances. If you’re looking for a fun evening of music, humor, and story, Forever Plaid is an affordable, local option. When American families gathered in front of the TV to watch their favourite variety shows, like Ed Sullivan or the Perry Como Show. Inspired by the success of their favorite recording stars, they made plans to climb that spiral staircase to fame and fortunes. This is the story of such a group – FOREVER PLAID, There were these four guys, Sparky, Smudge, Jinx and Frankie, who loved to sing. But through the wonders of science, they now have the opportunity to perform the gig they never got to do while alive. Add to that the best use of giant sink plungers and a three-minute version of the Ed Sullivan Show and you have something that’s as wholesome as apple pie.

Going right from the frenzy of those numbers into a solemn rendition of “Scotland the Brave,” the guys demonstrate their emotional range and the power of their harmonies. In many ways it is a wry alternative to Grease. Unfortunately for our four unlikely heroes Sparky, Smudge, Jinx and Frankie, Forever Plaid never scaled the heights of fame as they were killed on the way to a gig at the Airport Hilton.

All four cast members sang well and the harmonies were superb. As well as a stint at The Actors’ Centre as resident Musical Theatre accompanist and vocal coach, Chris is the lead singer of Carbon Copy who have just recorded their debut album, Revelations in Revolutions. Rehearsing in the basement of Smudge’s family’s plumbing supply company, they became “Forever Plaid”. Class.

Finally on 9th February 1964 they landed their first big gig – the Airport Hilton Cocktail Bar. Forever Plaid are like an American, 1960s Boyzone, but instead of pop balladry, they deal in vocal harmonies.

It was pure joy. Tim is currently studying for his BA Hons in Popular Music at the London College of Music specialising in Jazz. Work as a performer includes How to Succeed in Business at the New Arch Theatre, Un Ballo in Maschera at the Holland Park Theatre, Dido and Aenas at Broomhill and various cabarets at Centrestage in Covent Garden, the Everyman Theatre in Hampstead and the Etcetera Theatre, Camden. Hard-working Richard Pope, Ian Brandon, Tim McArthur and Andrew Emerson combine excellent singing voices with a knowing sense of fun to present both the music and the sense of social history required to convince us Magic Moment and Hot Diggity are just as deserving of a place in the Popular Music Hall of Fame as anything the Beat Boom produced. John Plew’s appealing production ensures that is all stays cute rather than corny, though at time the vocal precision of his excellent cast – Michael Bernadin, Andrew Emerson, Tim McArthur and Colin Salway – isn’t quite matched by the same snappiness of presentation.

Ian has also recorded some demos for the composer Charles Miller, directed The Best Little Whorehouse in Texas and musically directed A Chorus Line at Leeds University. Please use the calendar to purchase tickets. Colin studied music at the University of London Goldsmith’s College, composition at City University and voice at the Guildhall School of Music and Drama.

Only the sourest of sourpusses would argue that a little nostalgia isn’t a good thing. Yet, many coeval harmony acts sang so beautifully and enchanted audiences for many years.

Forever Plaid celebrates the delightfully goofy reincarnation of four male singers killed in a car crash on the way to their first big concert and now, miraculously, revived for a plaid-fabulous time for audiences everywhere. Film includes the espionage thriller “Daddy’s Little Girl”, the comedy “Junk Food Kills”, and the award winning short film “How I Became Indian”. Michael is thrilled to be working on Forever Plaid again since the Christmas revival Upstairs at the Gatehouse. At Mountview, Andrew’s roles included Bobby in Company, Lysander in A Midsummer Night’s Dream and Action in West Side Story. To purchase individual tickets, call the Box Office at 219-836-3255 or Tickets.com at 800-511-1532. But even if you’re younger, you’ll probably appreciate the good-natured nerdiness of the 1950s characters as well as the tight harmonies of their boy-band music. Each vocal arrangement soared stratospheric heights of harmony.

Ian recently graduated from the London School of Musical Theatre at Her Majesty’s Theatre where he featured in ‘Tis Pity She’s A Whore, A Taste of Honey, The Crucible and Unidentified Human Remains & The True Nature of Love. In February 1964 they are on their way to their first big gig when they are all killed in a car crash. That’s #rock&roll they say, except Forever Plaid weren’t rock or roll – no more so than their idols The Four Freshmen, The Crew Cuts or Perry Como. They also did a few rarities and interpreted some songs which are not exactly vocal harmony arrangements, Sam Sooke’s Chain Gang and the Beatles’ She Loves You are two cases in point. Forever Plaid acknowledges this and even paid tribute to one leading octogenarian crooner, Perry Como. Forever Plaid is an affectionate musical homage to the close-harmony 'guy groups' that reached the height of their popularity during the 1950s. More than a little might be too much, of course, but that’s why Forever Plaid sounds like the perfect night out. In the programme for this charming production of Stuart Ross’s Forever Plaid, director John Plews explains that his aim in the return the piece to its “intimate Off-Broadway roots” – a philosophy which has certainly paid off.

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