Then, as a director herself, she impressed audiences deeply with her breakthrough feature Father of My Children, in 2009. Time passes through casual references: an English teacher puts a date on a blackboard, an item in a newspaper mentions the year. Her parents' marriage breaks up. What emerges on screen has something of Eric Rohmer in its feeling for the languor and nameless anxiety of the very young: at one stage, Camille and her boyfriend argue amiably about the film they've been to see. The exceedingly talented Ms. Hansen-Løve (the writer-director of Father of My Children) is sure to win many more fans with her latest feature, an incisive, exhilaratingly frank examination of l'amour lost. Particular emphasis is given to a straw hat by using a device popular in the silent cinema, the "iris-in" and "iris-out", by which the eye is forced to zero in on one part of an image by fading the rest to black.
1 / Video . But over the next eight years, she develops into a more fully formed woman, with new interests and a new love—and the possibility that she'll be less defenseless when Sullivan enters her life again. Yes, by all means, backpack through the Andes.
By chance, Camille and Sullivan meet again and part, an occasion on which they visit the cinema and have a crucial exchange on the way French films shape, romanticise and distort life.
This is a fluent, confident and deeply felt movie: unmistakably, if not exactly nakedly, autobiographical. If Sullivan were afraid of her intensity, we might understand the trip to Peru.
Their parents know of their love and respect it.
As a 15-year-old high-school pupil, Camille is having regular sex with a conceited and tousle-haired college student called Sullivan (Sebastian Urzendowsky). The eight years that Camille and Sullivan were apart seems like a long time to them; the drama shrinks it to a single, dramatic heartbeat, and perhaps that is all that it was. But her love is so extreme and durable, it qualifies as a psychiatric condition.
When we watch Hansen-Løve's films, we're not only experiencing a life unfolding before us, we're also realizing what a great privilege it is to be able to do that.
He is introduced through a riveting classroom discussion of the meaning of the term "a glimmer". She is shattered.
A teacher praises her design for a new university annexe but sees the students' rooms as monastically cramped; she lacks a larger social sense. When Sullivan comes into Camille's bedroom via the window she calls him her Romeo, and she's only half joking. This is a splendid, understated film, unsentimental and wholly without that kind of cynicism that passes for worldly wisdom. Reviewed in the United States on March 31, 2013 Format: DVD Verified Purchase This is a French film about a first love.
Un Amour de Jeunesse is a delicate love story, tender and erotic, and drenched in the idealism and seriousness of its central character, Camille (Lola Créton), looking like a very young Penélope Cruz.
She is infatuated with him, and he to some degree with her, but does not quite share the intensity of her commitment, having already explained his settled plans to drop out of university and go on a 10-month backpacking tour of South America with a couple of buddies. Highly recommended. She is 15.
Spring, 1999. Her good-looking boyfriend, Sullivan, announces that he's dropping out of school to spend a year travelling in Latin America with a couple of friends.
Filled with scenes that showcase her extraordinary ability to evoke moods and feelings, Hansen-Løve takes the story of a girl’s first romance and makes it into a singular experience, familiar in its broad strokes and yet so specific that it feels uniquely personal. She buys a painting of a couple and a baby and gives it to him. Then, incredibly, it emerges that Sullivan (Sebastian Urzendowsky) has no plans to go back to school.
What has happened to Sullivan?
Camille sees in Lorenz a stable man that has his life sorted out and makes her feel secure.
Her mother wants her to end her relationship with him since she's too young, while his mother doesn't like the idea of him leaving. Upon Lorenz's return, she tells him that she's going to Normandy with a friend, but secretly plans to go to Marseille instead to see Sullivan. With Lola Créton, Sebastian Urzendowsky, Magne-Håvard Brekke, Valérie Bonneton. Image .
Arthouse audiences could drink this down like a glass of Chardonnay.
What is refreshing about Hansen-Løve's movie is that it doesn't fob its characters or its audiences off with the usual gentle hindsight-condescension about young love or first love.
But she moves on with her life. Sat 5 May 2012 19.04 EDT School keeps her busy. It is far too simple to say he has trouble committing to her. Tout est pardonné (2007) followed the break-up of a couple caused by his drinking and drug addiction, observed chiefly …
... Review aggregation website Rotten Tomatoes gives the film a rating of 80% based on reviews from 50 critics, with an average rating of 6.9/10. He leaves in the fall and after a while he stops writing to her.
"Goodbye First Love" is fascinating. Sullivan is planning a 10-month trip to South America with his friends.
Returning with her third film, Goodbye, First Love, Mia Hansen-Love revisits themes of separation and grief after the loss of a loved one. While she is swimming in the river, a gust of wind blows the hat off the river bank and it floats away.
She goes to architecture school, takes her professor as her mentor and then lover. The performances are similarly understated, with Créton poignantly capturing the pain of rejection and lost trust, while Hansen-Løve adroitly uses Stéphane Fontaineâs camera to stress the contrasts between her beaux.
We do not see Camille change, she tells us little, but Lola Créton and Hansen-Løve make us experience the movements of her mind, her growing sense of responsibility, her enlarged emotional understanding of the world. Goodbye First Love - video review. Loved-up French teenagers Camille (Créton) and Sullivan (Urzendowsky) have sworn their undying devotion to each other. But whereas her previous work, The Father of My Children (2009) focused on a family recovering after a father’s suicide, her latest work depicts a universal subject, the defining moment of separating from your first love.
Even first love. VAT no 918 5617 01, Bauer Consumer Media Ltd are authorised and regulated by the FCA(Ref No. By Tim Robey 03 May 2012 • 17:02 pm Surprisingly there are no references to any political events of the sort that have become customary in French autobiographical movies, where the bright heroes and heroines revolt against their bourgeois families, discuss Sartre and Baudrillard, throw stones at the oppressive police and generally become part of the cultural warp and weft of the times. Sullivan clearly envisages this trip involving many new kinds of experience, but chastity isn't one of them.
Notable Video Game Releases: New and Upcoming, What to Watch Now on HBO Max and the HBO App. She has designed herself out of them – designed herself out of her own life. A map accompanies these travels, echoing the one of Sullivan's more seemingly adventurous trips in South America.
Audio .
Before Sullivan departs, they spend some time in Camille's mountain home in the Ardèche, riding horses through the fields, picking berries, basking in the sun and swimming in the Loire. She says she still loves him and doesn't know why, to which he says that she shouldn't be feeling that way. "In 1939," he asked, referring to his sixth-form days, "whom should I have been reading and what should I have been thinking?" She has moved on with her life, cut her hair, has a job, and slowly begins to fall in love with her professor Lorenz (Magne Håvard-Brekke). I wonder exactly what Hansen-Løve means by it. Goodbye First Love Review . The film focuses very much on love and sex …
She tells him that she's working for her architect boyfriend with whom she'll be moving in with and set up a company of her own.
She arrives at the station to find that her train is canceled because of a strike. The sun dapples the water, the trees, the flowers and their faces.
Goodbye First Love; Goodbye First Love Review. Camille gives her her contact number and asks Sullivan's mother to contact her if he would like to.
Goodbye First Love (French: Un amour de jeunesse) is a 2011 Franco-German film directed by Mia Hansen-Løve. He writes that he dreamt of her while in bed with someone else; that in the dream she was expecting their baby and that he wants to have a family with her. With Lorenz out of the country, they check into a hotel and make love, after which they talk about how much they love and miss each other. When we find out, we couldn't be more astonished. Although well-made in terms of direction, photography, and performance, this film cannot escape the maudlin qualities of the traditional love story. This film, deeper than it seems, dares to suggest that beyond a certain point, it can represent a tragedy.
A chronicle of the romance between Camille and Sullivan, which begins during their adolescence and picks up after Sullivan's 8-year absence from exploring the world.
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